| London Fields by Martin Amis |
|
|
| Written by John McKnight | |
|
pen, seems right. Everything ends as it should and the world moves on. Nicola is the only one who knows of her inevitable demise and she plays the men off each other, including the narrator who is visiting from an America under threat of a veiled crisis. Amis strings the characters together so masterfully that you find yourself expecting rooting for the despicable villain as he stumbles along, unaware that he is being played, finding himself in the same role of the patsy as Guy. At the times the characters border on the absurd but Amis brings them back from the edge before they topple into the dangerous realm of cliche. Guy's monstrous baby and equally monstrous wife, Keith Talent's thuggish rogue, Nicola the sexpot, and even the struggling writer. Each of them is deeply flawed, never stepping over the line into the realm of the absurd. The inevitable conclusion, although it has been mapped out throughout the novel, is still statisfying and left me with a sense of relief, knowing that it was finally over. The murder, when it does hap Trackback(0)
Comments
(0)
|
| < Prev | Next > |
|---|















